Serious Design, Whimsical Ideas Come to Life in Porky Hefer’s Animal Chairs

They're quirky and cozy, simply the whimsical air of works by artist Porky Hefer belies the deeper meaning of the hanging seats he creates. From animal shapes to ovate seats woven from various materials, the "nests" that the S African artist designs are definitely conversation pieces. The materials he uses, the craftspeople who contribute their skills and the underlying inspiration brand these more than simple hanging seats.

The animalistic designs he shows pull at your attention from across the blueprint show flooring, and not only because of their grade and size. Catching a glimpse of the oversized head piques curiosity to run into more; to see what's inside that gaping mouth. Once y'all approach, the cozy, fur-lined interior looks so comfortable you lot have to fight an overwhelming urge to clamber within and view the world from the interior perspective.

Hefer's chairs put the focus on the creature's mouth. View in gallery
Hefer's chairs put the focus on the creature's oral fissure.
The closer view beckons you to crawl inside the fur-lined mouth. View in gallery
The closer view beckons y'all to crawl within the fur-lined rima oris.

Represented in the United States by R & Company (and by the Southern Guild in Southward Africa) Hefer has recently gained much attention with his works at major design events like the London Pattern Biennale and Pattern Miami. His creative piece of work started with woven nests, inspired by the indigenous weaver bird, which is known for its skill in crafting nests from whatsoever materials it tin find. Hefer too used discarded materials that he could discover. He has created works using kubu cane likewise equally used tires, leather, steel and raffia. His pieces celebrate the indigenous materials and crafting skills of Africa, which have proven to exist fuel for his astonishing human-sized creations.

Pelicanus Iris looks more benign than some of Hefer'southward toothier models, and the ample lower pecker of the bird forms a cocoon fit for lounging. Maybe the onetime fable about storks and babies fuels human being desire to desire to curl up inside this seat. His creations initially take the lite air of something perhaps designed for a child, but stop upwards bringing out the child however hiding inside adults — the child who wants to exist swinging in that seat.

The theme of small body, large mouth is very apropos for a pelican. View in gallery
The theme of small torso, large mouth is very concerning for a pelican.

In his collaborations, Hefer likewise focuses on the astonishing skills institute in his abode territory. Training with principal weaver Ismael Bey led Hefer to the Greatcoat Town Guild for the Blind, where Bey had also trained weavers. Collaborating with the society and Woodheads, a local leather company that has a 150-twelvemonth history, Hefer brings his nests to life using leather offcuts and the native source of skills. No affair what form his work takes, information technology is part of an ever-growing artistic move celebrating individualistic hand-crafted pieces as an antidote to today'due south mass production. The mastery of dissimilar materials and the high level of workmanship is axiomatic in the details on all his chairs. For example, mere stitching between the sections of leather is elevated to an important pattern detail on all the seats.

In a 2010 interview with Pattern Indaba, Hefer said that he "Pray(s) that South Africans start recognizing inventiveness when information technology is built-in not after it has become successful in Europe or America." It is certainly Hefer's mission to bring the artistry and skills of South Africa to the forefront, and many other areas of the globe could likewise benefit from greater attending to the talents the offering.

Perhaps some of the appeal for his piece of work arises comes from the general magnetism that hanging chairs have. Much like a porch swing or a rocking chair, the gentle move is calming to humans. Of course, the fact that Hefer'due south seats are furry, cocoon-similar enclosures makes them all the more alluring. In that location'due south certainly something comforting virtually curling upwards in a womb-similar enclosure.

Human-sized nests are the most cocoon-like works of Hefer's collection. View in gallery
Human being-sized nests are the most cocoon-similar works of Hefer's collection.
Stiches securing the leather pieces together are an important design detail. View in gallery
Stiches securing the leather pieces together are an important pattern detail.

In 2017, Hefer mounted a show entitled, "Heart of Lightness" which debuted seven creations, all of which are designs that feature traditional Due south African materials and techniques. He calls the collection a response to author Joseph Conrad'south perception of Africa in his novel "Eye of Darkness". The evidence likewise launched the display of his first abstruse piece, which resembles a big peanut with eye holes and is made from leather and sheepskin. Regardless, it is maybe his animalistic forms that currently garner the greatest amount of public attending.

Various animal forms make up a fun, whimsical collection. View in gallery
Various fauna forms brand up a fun, whimsical collection.

Later on starting with nests, Hefer's piece of work evolved into creature-shaped forms that are playful and comfy.  The figures invite people to climb into the comfy seat through the wide open rima oris of the creature. From toothy crocodiles to killer whales, tigers and toucans – the "Monstera Deliciosa" drove, along with other assorted creatures, is a menagerie of inviting, cheeky beasts. Despite the large teeth inside the gaping maw of these works, they are nonetheless comfortable nests, beckoning y'all to crawl in and whorl upward.

"Porky creates immersive environments that allow people to escape into a unlike world," R & Visitor cofounder Zesty Meyers has been quoted equally saying. "His work is artistic and playful, and it doesn't respond to a demand. As in advertising, information technology creates the need."

The whale-shaped chair is called Fiona Blackfish, in a reference to the documentary betrayal on killer whale handling in Sea Globe parks. The furry pinkish tongue is a textural dissimilarity to the leather and makes y'all want to be swallowed upwards like Jonah.

The contrast of a furry seat inside a killer whale mouth is a playful concept. View in gallery
The contrast of a furry seat within a killer whale mouth is a playful concept.
Eugenie Crocodylus sports rows of pointy leather teeth around her furry interior. View in gallery
Eugenie Crocodylus sports rows of pointy leather teeth around her furry interior.
The beasts, both benign and treacherous, take on a lighter note as hanging chairs. View in gallery
The beasts, both beneficial and treacherous, take on a lighter note equally hanging chairs.
The manta ray chair looks big enough for two. View in gallery
The manta ray chair looks big enough for two.

Hefer – his real last name — grew up in Johannesburg with a decidedly unartistic background. From high schoolhouse athlete to army conscript to graphic designer, he somewhen landed at Chase Lascaris advertising as a commercial creative person. From in that location, he evolved into his current work, armed with plenty of self-described "big ideas." Hefer has said that his designs spring from a single question: Why does a chair accept to be a chair? His collective works are a vivid representation of the fact that information technology doesn't accept to be.

This lion is from the first London Design Biennale at Somerset House. View in gallery
This lion is from the first London Design Biennale at Somerset Business firm
The London show was called Otium and Acedia. View in gallery
The London testify was called Otium and Acedia.

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Source: https://www.homedit.com/whimsical-hanging-chairs/

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